Sunday, November 20, 2011

The Zoo in You

 
Years ago, I decided to pay attention to God’s feathered friends as one metaphor for God’s presence, and in doing so, I have discovered this: that the Holy Spirit is heard in the kookaburra, who laughs at our pretensions and wrestles with the snake;... she’s found in the white-faced heron on our neighbour’s roof; she’s recalled by little finches at my grandfather’s funeral. When I'm soulsick and sinking, she calls out my name; of Cornish ancestry, I hear her in the language of my heart, which leaps at the crying of the gulls.

***

Yep, another piece is being published, this time in The Zoo in You, a book exploring the animal imagery of faith. If you can cope with a bit of God in your reading, you should love this book. Each reflection is grouped with a prayer and a poem by Cameron Semmens, and is illustrated by Hamish McWilliam. My reflection can be found in Hope with a Cockatiel.

The Zoo in You is now available for pre-order for $19.95 plus postage here. Orders will be shipped from 2 December, and should arrive in good time for Christmas.

If the God stuff's not your thing, no matter – just wait 'til the next book!

Tuesday, November 15, 2011

Jones Park / Resurrection

 
When I first moved to Brunswick more than fifteen years ago, I lived in a share house backing onto a dingy oval. The oval was fenced on two sides by an old tip, a great sloping hill of dirt, rubble and weeds cordoned off by cyclone wire. On a third side crouched a shabby playground, but whenever I thought to go there for a meditative swing I felt so nervy and trapped that I left within minutes.

Now I live five blocks away, and it's one of my favourite places. Ten years ago, the council cleaned up the tip and turned it into green space. They refurbished the oval, took down the fences, and turned the two sites into one enormous park.

Let me take you on a tour. At the top of the hill is a platform. The oval and the old playground lie behind us. To the east roll hills, a hazy grey; to the south, city towers stretch up small and hopeful under the wide blue sky.

Heading down the gently winding path, you see groves of young trees. A mother and her baby picnic under the casuarinas, where the breeze flowing through the needles recalls the sound of the sea. To the left, a woman shoots hoops and you can hear the basketball chick! through the net, then thud to the ground.

Further down winds a dry creek bed. But turn towards the new playground, instead, with its concertina tyres; they wheeze notes when we jump on them. Hit the colourful mushrooms with the mallets; listen to them toll. Climb the spider web with me; at the top, hook in your feet and reach for the sky; the spider web gently sways. Below us, the creek bed curves into a large pond; let's run down the steps.

Lie on the boardwalk and peek over the edge. See the water beetles scoot through the reeds, wings flipping so fast they blur! See the tadpoles, with their translucent tails and the bulge of budding limbs! An aquatic ladybug, fat and red, bumbles and rolls on by.

Above us skitter large dragonflies, grey and fat like army helicopters; tiny dragonflies dance, blue as sapphires and impossibly slender. Every few minutes frogs start up, creaking like a hundred thumbs pulled across a hundred combs, then just as quickly fall silent again. Larger frogs add their deep popping bass notes; crickets rasp; the pond sings.

Rushes tower, ten feet tall; and behind them, the Serbian Orthodox Church soars, turrets ablaze with gold.

It will never be as it was two centuries ago, a place of untouched wilderness sloping up from the Merri Creek. But from town dump to this: a place where mothers and babies picnic in shady groves; joggers run puffing up the hill; kids shriek with laughter at the top of the spider web; men sprawl in the grass with books; women shoot hoops; couples nestle in quiet spots; and tucked right down in the far corner lie I, flat on my stomach and peering through the boardwalk at the golden light and watching and listening as the frogs and dragonflies and honeyeaters and wattlebirds and finches and lizards and beetles and countless other small creatures whose names I do not know get on with things -

Life has indeed returned to this part of the city.

Incidentally, in trying to learn about my local corner I discovered there are 324 known species of dragonfly in Australia! Who would have thought?!

The Complete Field Guide to Dragonflies of Australia The Waterbug Book: A Guide to the Freshwater Macroinvertebrates of Temperate Australia Native Plants of Melbourne: And Adjoining Areas

Tuesday, November 8, 2011

Don't Kill the Birthday Girl

Don't Kill the Birthday Girl: Tales from an Allergic Life

'Hi, I'm Fred.' Really? Well, I'm Alison, and I have a wicked temper and slightly depressive tendencies; I'm allergic to this, that and the other; and I have a weird and pathological fear of looking beautiful, thus the extremely short hair, the lack of makeup and jewellery, and a wardrobe almost completely devoid of skirts.

Fred is edging towards the exit by now, as well he should be: such an opening is hardly the path to a little light conversation, let alone the beginnings of a beautiful friendship. And yet it is common. I certainly have been guilty at times of identifying myself primarily by my weaknesses: Little Miss Asthma, Lady Mother Dying, The Homesick Chick. But now I prefer my primary identification to be something other than my neediness, so I prefer my vulnerabilities to be largely invisible in social contexts. I prefer it to be mostly invisible in others, too.

One thing I like to be invisible about is allergies (except, obviously, in this post). Before we talk more, we need to clean up what allergies are. The word 'allergy' is often used carelessly; I hear people say that are allergic to wheat, meaning that they get a bit windy when they eat a sandwich. What they suffer is an intolerance; this is not the same as an allergy.

Bundling allergies in with intolerances risks linking them with food fads and Hollywood diets; and this, I reckon, is part of what leads people to think that allergies are kind of funny, certainly annoying, even imaginary. Yet if people don't take them seriously, and then have anything to do with the food we eat, people with allergies get more than a bit of wind; they get a full blown reaction as their immune system goes berserk trying to rid their body of the allergen. I'm allergic to a few things, and by allergic I mean that I react to eating them by wheezing, vomiting, and, occasionally, going into anaphylactic shock.

Of course, trying to act nonchalant as a young teenager when everyone else is stuffing their face with prawn crackers – and I grew up with a crowd of south east Asians – is not easy. I have vivid memories of eating those crackers in full knowledge that they would make me sick, but hoping so much that this time it would be okay. I just wanted to fit in, but of course the dry mouth, thick tongue, itchy throat and major stomach cramps hardly helped with that little project.

As a young adult, one birthday was particularly memorable: someone bought me a Drambuie, a hitherto untried drink. I took one sip, and felt that telltale tickle – the beginnings of anaphylaxis – at the back of my throat. But I didn't want to mention it, or be rude. So I took another sip and, of course, immediately started hawking and coughing and spluttering as my throat closed up and I could no longer breathe. Not cool, Alison.

Many allergy sufferers could tell similar stories of risking their health if not their life for the sake of trying to appear normal; and I am sure many allergy sufferers would have made the same decision as me time and again, of not using or even carrying the dreaded EpiPen and risking the hubbub, the nausea and the trip to the emergency room that follows. Instead we try to flush out our systems with water and Benadryl, and hope for the best.

So it was with a mixture of trepidation and interest that I picked up Don't Kill the Birthday Girl, a memoir about living with allergies. I was afraid it might be an annoying whingeathon by someone who identifies herself primarily as 'Allergy Girl', but I was pleasantly surprised.

Sandra Beasley is allergic to many things, making it very difficult to navigate eating out in any context in a culture where eating out is the norm. But to my great relief she opens with the statement that "those with food allergies aren't victims. We're people who – for better or worse – experience the world in a slightly different way", and that attitude carries, more or less, through the book.

Beasley mixes up personal anecdote with social observations and a great deal of information. I learned how the body forms an allergic reaction; why a friend's son had a second, stronger, reaction to peanut oil hours after his first reaction; why the American food landscape is so infested by soy; how food labelling laws are the result of allergy lobbyists; and what it's like to be an allergic mother to children who are allergic to different things. She dispels some of the myths surrounding the current explosion in allergies, and uses her experience as an entry point to explore many aspects of American food culture. Much of what she says is interesting, and she is up front with how her personal agenda is sometimes rattled by what she learns.

Beasley asks some particularly good questions about ritual, especially communion. Communion is the high point of the Christian religious service and involves, in one way or another, the sharing of bread and wine. At my church, we have wine and water available (the latter for those who are allergic to grapes and for recovering alcoholics); and wheat bread with a rye embellishment (the rye is for those who are allergic to wheat). Many congregations have similar practices. But some, notably those Catholics who follow the explicit directives issued by Ratzinger, are forbidden from using any alternative to the Papal-sanctioned wheaten wafers, thus excluding many congregants from communion.

She is not a churchgoer, but she raises important questions about the nature and purpose of ritual, asking "Is it inclusiveness that makes rituals valuable? Or is it maintaining the ritual's integrity that matters, even if that leaves someone out?" She writes about being the child who never got a birthday cupcake when they were handed out at school, and being the young adult who could never accept a slice of wedding cake, or shake hands with or kiss anyone who had, and how painful those exclusions were.

In the same way, it is intensely painful for Christians to be excluded from communion, and Beasley's observations on communion and church policies are helpful for the general reader. (I will add that it is clear to me if not the Holy Father that, since the greatest commandment is to love, what the communion wafers are made of doesn't matter one iota; what matters is welcoming people in.)

She also asks good questions about the current hysteria surrounding keeping children safe. Is it really necessary, she asks, for entire schools to go nut free? Surely children must learn to manage their food allergies and use a little common sense. She cites idiotic news stories, such as the evacuation of a school bus because a peanut was rolling around on the floor (apparently a threat, even though no one was planning to pick it up and eat it), and asks whether it really takes a whole village to protect a child from a peanut.

Don't Kill the Birthday Girl is sensible, thought provoking, and also darkly funny in its tales of anaphylaxis at the most inconvenient times. One thinks of people with allergies as being so terribly, terribly earnest, but Beasley has a refreshingly self-mocking stance.

The book wobbles a little as it navigates between personal anecdote and more general information – I would have preferred the information to be less bound up in Beasley's personal experience – but overall it is a good read. What I found especially valuable was the normalisation of my experience: stories of anaphylaxis and its aftermath; and stories of not managing one's allergies well because of peer pressure and the desire to join in.

More than anything, however, I valued Beasley's stance that our weaknesses – whether allergies or, and I'm extrapolating here, other health and wellbeing problems – are only one part of our lives, and they are far from the most interesting part; nor do they warrant special attention. They need be mentioned only when necessary and can otherwise stay in the background. Don't Kill the Birthday Girl is a call to understand the particular problem of allergies, then move on.

As Beasley writes, "Not every page is meant to tell your story. You are not the focal point of every canvas. This town is busy... My job is to center on staying safe in this world, but my job is also never to assume the world should revolve around keeping me safe. We have more important things to worry about. Don't kill the birthday girl. The gifts are wrapped and the piƱata waiting. We have a party to get to." Hear, hear.

Wednesday, November 2, 2011

Small Ghosts

Small ghosts trail behind so many families, invisible to the naked eye or the quick hello.

Rena bustles around her son's birthday party, passing food and welcoming guests. During a lull, we chat. 'Did you ever think of having a second child?' I ask. 'Oh, we did,' she says, 'but he died. He was eight weeks old. He got an infection, it entered his heart, and he died.' I place my hand on her shoulder; there are no words.

***

You can read more of this All Souls Day reflection published in Eureka Street here.

Tuesday, October 25, 2011

Writing Avoidance Techniques, or What I thought about last Thursday

In Bed with the Boss (Mills & Boon Special Releases)

Did you know there is an entire Medical Romance series within the Mills & Boone cadre? I have stopped drinking for a few months, and since I feel like an idiot sitting for hours in my usual writing space – a bar – with only a mineral water to justify my presence, I have had to resort to the local library. And in our busy library full of chatty people, the quietest corner is tucked into the romance section.

I must admit that Doctor Delicious, a large print medical M&B romance, caught my eye. So did The French Doctor's Midwife Bride, an elliptical title that leaves me longing to know more. The Surgeon's Pregnancy Surprise was surprising, indeed, for who if not a doctor knows how babies are made – but then, I suppose we all forget things in the heat of the moment.

Up until now I have been fairly happy as a WOLGER*, and indeed the house is being painted and the plumber has just fixed our hot water service. Looking at these titles, however, makes me wonder if I am missing something.

Would I have more fun as The Sheik's Blackmailed Mistress or as The Sheik's Wayward Wife? Or would the desert sand irritate my buttocks? Perhaps being At the Greek Tycoon's Bidding might be more comfortable; a yacht with clean linen sounds nice.

I'm probably too leathery to pass as The Millionaire Tycoon's English Rose, but I might enjoy being Pleasured in the Billionaire's Bed or, more submissively, Bedded at the Billionaire's Convenience. Yet the latter title has an off-putting lack of alliteration; Bedded at the Billionaire's Behest would have worked better for me.

It's certainly a bit late to be The Desert King's Virgin Bride; to be honest, I'd have to say that I'm more The Lusty Lawyer's Lovely Lay type.

But wait! It seems I have lived a M&B romance. For on spinning the rack I see The Boss and His Secretary, nestled right next to Accepting the Boss's Proposal. And many years ago, I did.

Though come to think of it, I proposed to him. I'll have to write my own book. How does The Secretary's Saucy Suggestion sound?

*Wife of lawyer getting excited about renovations.

Friday, October 21, 2011

Just one bed

'When I grow up,' announced my three year old, 'I want a house with just one bed in it. I don't want to live with ANYBODY. And I don't want any kids!'

I was shocked. I found myself wanting to yell, 'No! Having kids is the best thing you'll ever do!' because it is, it really is. It just comes at a price, and that price is solitude.

Right now, I am keenly aware of this price: my sister has recently moved into a flat all by herself, and I am ever so slightly sick with jealousy.

No one touches her stuff. No one turns on her bike lights and leaves them to go flat; no one scribbles on her crossword with bright orange texta; no one leaves fridge magnets strewn across her kitchen floor. No one has fist fights while she's trying to concentrate, and no one throws a tantrum when she gets off a tram. She doesn't have to talk first thing in the morning, and she never has to remind people to pack their lunch, practice the piano, or use their inside voice. She can cook what she wants; and if she doesn't feel like cooking, she can have a bowl of cereal. There are never piles of corn flakes under her kitchen table, let alone day-old spaghetti strands glued to the floor.

More than anything, she doesn't have to listen to chatter twelve hours a day. Yes, it's delightful; yes, it's revealing; yes, it's funny. It also drives this reflective introvert completely and utterly insane.

There are hours, even days, when I long to have a little place of my own, just a room with a bed, a table, a chair and a great big pile of books; and perhaps a pot of geraniums to brighten the window sill. And yet of course I feel guilty for wanting that, when I have an airy house, an affectionate family and the chance to read every night when the kids are asleep.

So when my three year old articulated my secret longing, which I am so careful never to voice aloud, I was shocked.

Yet it was such a wonderful thing to hear her say. She's the youngest of three, and her whole day is dominated by other people's rhythms: school drop off and pick up and reading with the class; eating when I'm hungry and resting when I'm tired; going shopping when she wants to stay home and catching up with friends when she wants to play with mum.

When they're not at school, her two older sisters try their best to boss her; meanwhile her parents insist she use her manners and wait for them at every single road crossing. No wonder she dreams of a time when she can set her own agenda and be left in peace, and it was lovely to hear her articulate that.

Too, I was encouraged to realise that at least one of my children can imagine a life that isn't exactly like mine. Of course I'd love her to experience the joy of having children; but if she wants to live alone before or even instead of having them, how wonderful that she is not so dominated by me that she feels my life is the only option.

So instead of protesting, I breathed out my shock and asked, 'would you like to live all by yourself one day?'; 'oh yes!' she cried, nodding emphatically, 'all by myself.'

Then she took my hand and asked me to come have a cuddle in her bed.

I guess solitude is something that she, like me, is prepared to wait for.

Wednesday, October 5, 2011

Guess Who?


I was poking round a traditional op shop, dark and tiny and located at the back of a shopping strip, when I found a Dutch version of Guess Who? – Wie is Het? – with the beguiling hand written label Improve your German! ‘Tee hee hee,’ I thought, and picked it up to give my kids. They can play Guess Who? just as well with Philippe and Lucas as they can with Richard and George, and with any luck they might even play it in German or Italian or any of the other languages in which they know half a dozen phrases – sadly, like whoever wrote the label, this doesn’t include Dutch.

Then I turned my attention to the stacks of linen, and there, carefully folded, was an Onkaparinga blanket. These gorgeous blankets, incredibly soft and warm, were once manufactured in the Adelaide Hills; they are the stuff of my childhood. This particular one was pink and green and absolutely perfect, so I snaffled it up. On the coldest nights, we sleep under a hodgepodge of picnic rugs and crocheted lap blankets; whenever we have a family stay, we are a blanket or two short; there was no question that we would use it.

Thrilled, I paid for the game and the blanket, then tottered around the corner to pick up something for dinner. At the grocery store, the assistant asked me if I had found the blanket at the op shop. ‘Oh yes,’ I gabbled, ‘I’m delighted – I have three girls and this will be perfect.’

‘I’d hope you’d give it to the homeless,’ she snapped as she totted up the bill.

I stood there gasping, my mind racing in frantic guilt overload – was I really such a thoughtless bitch? – and found myself right back in an argument with my mother, who has been dead these eleven years.

Op shops are for those who need them, she said, and you can afford to shop somewhere else. Stop being so selfish!

But there’s too much stuff in the world, I muttered, and anyway, far more is donated than the op shops can ever sell; the rest has to be shipped overseas or sent to the tip.

The homeless are freezing to death, she said. There are people on the streets who need that blanket!

My kids are cold too, I said, and anyway, the homeless wear their blankets until they are fetid and then throw them away. This is too beautiful to throw away!

So the homeless shouldn’t have beautiful things?, she asked.

And on and on it went. We debated whether op shops are fundraising stores for charities or opportunity shops for the poor; we agreed on the need to limit manufacturing waste and share resources but argued about what that really means.

I couldn’t win. Her voice runs round my head like a broken record.

On the other hand, she’s long dead; perhaps, I thought, I might have the last word on this one. So I tossed my head, stood up straight, and said rather briskly to the shop assistant, ‘We give thousands of dollars to charitable organisations every year; I feel quite good about taking this blanket home.’ Then I grabbed my change and the groceries, gathered up the blanket, and stalked off.

Later, when I unfolded it, I discovered to my delight that it was a double. I have been sleeping under it ever since, tucked in safely with the comforting heaviness I remember from childhood. My daughters are asking to nap under it, and in less than a week it has become a fixture of our household, one of those items that will be used for decades, an object of nurture and care.

And even I can now see that this a good enough use for my mother, their grandmother; she must be pleased. As for those voices in my head who masquerade as her, like the predictable characters in a game of Guess Who? they have yet again been unmasked as demons; they can just fly away.

Until it's time for the next round.

Guess Who?

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