Walking between the waves: On state power, military violence and our hybrid identity

When a nation is founded on violence, and uses violence to ensure people’s ongoing submission and obedience, the forces of chaos will one day overwhelm and destroy it. 

Read here or listen here.

Dreaming of home

I’m still here, still thinking, but the reflective writing has taken a backseat lately thanks to the combination of tomatoes, figs, uni, and school holidays. So here's something from the archives, a whimsical piece reflecting on a dream I had last year. It was first published in Zadok Perspectives No. 116 (Spring 2012).

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One night recently I dreamed I was in my house when, just for a lark, my sister went for a swing on the ceiling fan. But the ceiling was rotten and fell in; and that is how I discovered that my house was built in the shell of a much larger house, eight or ten times as big.

I found myself in a magnificent dark timbered old hall. Wide creaking stairs rose to a mezzanine which ran around the building. The mezzanine was lined with timber bookshelves filled to overflowing with leather bound books; and glass topped display cabinets held stuffed birds, interesting bones, strange artefacts and other curiosities. Broken rafters dangled down, and through gaping holes in the roof I could see the sky.

I said we should rip out our house and live in this much larger space. How wonderful it would be!

But, said the everyone of my dream, we couldn’t possibly afford it; instead, we should just fix the ceiling of our little house, and ignore the big house in which our house stands. I was left with the sad feeling that this was sensible, but then I thought, Why not do it anyway?

Why not reach out beyond the ceiling, the roofline, the house I thought I had, and find something large and beautiful? Why not rip out the new little neat little clean little house and make ancient history habitable? Much better to have rooks in the tower and holes in the floor in an expansive old house than be limited by a tidy low ceilinged safe suburban home.

Upon waking I found myself wondering, have I made of my soul a suburban home? A pristine place with nothing to make me uncomfortable? Have I ignored the rumblings of loose rafters above my clean white ceiling, the quarrelling of ancient birds just out of hearing, the centuries of history and learning and stories that were in the old books? Have I settled for less?

This is a question of trust, of course; and I suspect that, for the most part, I have chosen to live comfortably rather than push out and discover just how deep is the Christian story, how vast is God’s love – and how exuberantly I could respond.

I don’t really know how to live in the house of my dream, but the vision grips me so fiercely I want to try. My hope is that if I read the old books and examine the bones; if I sit on the stairs and gaze at the sky; if I remove all the rot and listen for birds; and if I reflect on what these things have to say, then through dreams and play and work and silence, I might just find a way.

Advent List 2011

Preparations for Christmas are upon us. Sadly, most preparation rituals do not seem to have much to do with the coming of a bearded prophet who recalled to us the poor, the outcast, the refugee, the dispossessed, the imprisoned, the widow and the orphan. Instead, we are bombarded with tinny carols, silly plastic evergreen wreaths strung from the light poles as the Australian summer begins to sizzle, and exhortations to buy buy buy.

A couple of years ago, I wrote about developing some small non-commercial rituals for Christmas with my kids; and, as I am story crazy, they of course involved a pile of picture books. So then I put together a list of some of the books we will read during the four weeks leading up to Christmas; you can read the list here.

However, many of the books on the list are out of print and hard to get. Meanwhile, since then I have found lots more wonderful stories, so I have drawn up a new list, adding the new stories and letting go of some of the old.

These are not Santa stories. Nor are most of them explicitly Christmassy, let alone Christian. Instead, they are stories which honour and celebrate hope, joy, generosity, gratitude, sacrifice, community and love. In particular, several focus on welcoming the stranger into our midst, which has always been a central calling to both Jewish and Christian peoples and would seem particularly appropriate as some of us, at least, prepare to welcome in the form of a baby the most strange and wonderful human the world has ever seen – and a refugee, to boot.

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So let’s start with that. Jane Kurtz has written a lovely book about immigrant children, In the Small, Small Night. Kofi and Abena have recently arrived in America, but Kofi is so worried that he will forget his family in Ghana that he cannot fall asleep. So his sister Abena, recalling the village storyteller so far away, recounts two traditional stories from home: Anansi and the pot of wisdom; and the turtle and the vulture. As Kofi listens to the stories, he is soothed back to sleep.

The story is told without a hint of mawkishness, yet it is very touching as these two young children, so far from home, talk about their fears and what they have left behind. What is just as moving is the way Abena has brought the gift of storytelling with her from Ghana. The wisdom contained in the stories will sustain them as they start at a new school, in a new culture, where everything is different.



Sean Tan’s The Arrival charts the journey of another immigrant. This book without words is for all ages, as the story is told through hundreds of eerie sepia-toned illustrations. The Arrival will raise all sorts of questions about why people flee and resettle, questions which may be extended to the Advent stories or to the refugees in our midst.



Nail Soup is a retelling of a traditional folk tale which reminds us to welcome in the stranger. A traveller, denied all but the meanest of shelter and sustenance, convinces his host that he will make soup out of a nail. As the 'soup' bubbles away, the host is gradually persuaded to add ingredients that turn it into a generous meal they can share, demonstrating that a little hospitality leads to a rich bounty for all.



Welcoming in the refugee and the traveller is all well and good, but we are also to care for the poor in our midst. In The Happy Prince, Jane Ray retells Oscar Wilde's tale in which the statue of a prince gives all it has – its ruby eyes, its gold leaf – to the city’s poor via an obliging swallow. Ray’s richly detailed illustrations add greatly to the story.



The Quiltmaker's Gift is similarly themed, as a fabulously wealthy and utterly miserable king yearns for the one thing he cannot have: a patchwork quilt from the famed quiltmaker, who gives her quilts only to the poor. The quiltmaker tells the king that she will only make him a quilt once he has given everything away, and he gradually learns that joy is found not in material objects, but in self-sacrifice and caring for others. The detailed illustrations, which include dozens of quilt squares themed to the story, are absorbing.



Thinking of self-sacrifice recalls The Mousehole Cat, a tale from Cornwall. When winter storms close the harbour and bring a Cornish fishing village to the brink of starvation, Old Tom and his cat Mowser find a way out and brave the wind and the waves to catch fish for the town, knowing that there is a good chance that they will never return.



Old Tom reasons that there is nobody left to grieve for him; it frees him to risk his life to feed others. In Amelia Ellicott's Garden, a more passive older person feels abandoned by Time. Amelia struggles to maintain her beautiful garden and longingly remembers when she had people to share it with. It is not until a great windstorm blows her garden, her chickens and even Amelia over the fence that she discovers the host of neighbours – from all over the world – living in the flats next door who long to share the garden, and their lives, with her.



Getting to know one’s neighbour, the first step to love, also features in Rose Meets Mr Wintergarten. In this lovely book by Bob Graham, a young girl moves into a new neighbourhood. When she loses her ball over the fence, her openness and her fairy cakes disarm the miserly neighbour who has terrified the area’s children for decades.



Wilfrid Gordon McDonald Partridge is a good neighbour, too. He lives next door to an old people’s home and is particular friends with Miss Nancy Alison Delacourt Cooper, who has four names just like him. Miss Nancy has lost her memory, and Wilfrid Gordon sets out to find it for her.



Margaret Wild’s Hop Little Hare is a simple story, also showing the love between the generations. It is not until Little Hare spies sheep nibbling at a curative boffle bush, which will ease his grandfather’s rheumatism, that he feels sufficiently motivated to hop!



A more complex gift giving between young and old features in the classic, Now One Foot, Now the Other. Bob teaches his grandson to stack blocks, tell stories and walk. When Bob has a stroke, it is the little boy who patiently teaches his grandfather to stack blocks, tell stories and walk again, using the same loving words his grandfather once used with him.



Love handed down between the generations is also found in Love You Forever, by Robert Munch, which he wrote in homage to his two children who were stillborn. In this story, a mother sings a special song to her son as he moves through the life stages; and as she ages and nears the end of her life, her son takes up the mantle and begins to sing it to his daughter.



Of course, we are called to love not just our family, our neighbour, the poor, the traveller, or the refugee; we are called to love our enemy, too. A Child's Garden tells of hope in oppressive circumstances. A boy tends a vine which throws out seeds on either side of a high barbed wire fence; the next season, vines grow on both sides of the fence and intertwine, symbolising hope for a future peace.



The story of the vine recalls, too, that we are to love the earth and everything in it. For All Creatures uses gliding alliterative language to describe and celebrate all manner of things that creep and crawl, run and jump, slither and slide upon the earth. ‘For spirals, shells and slowness, smallness and shyness, and for scribbled silver secrets, we are thankful.’



This celebration of the natural world is also seen in Owl Moon, in which a young girl goes out late one night with her father to see an owl. Owl Moon is a hauntingly beautiful children’s book, drenched in awe. An excellent book to read quietly at night, just before bedtime.



In Jeannie Baker’s Belonging, like so many of her books, we are shown one way to be partners in the creation: and outside our very own back window! Like The Arrival, it is told entirely in pictures, making it a book that people of all abilities can pore over.



Let’s finish with two books about Christmas. The first is a lively rendition of The Nativity by Julie Vivas. Drawing from the gospel writer Luke’s account, she illustrates the story in her singular style: the angel Gabriel is a ragged punk and shares a cuppa with Mary; the naked newborn, hands outstretched, is still attached to the umbilical cord; shepherds loom, peering into the cot; and in the final scene, Mary pegs out nappies. In Vivas's interpretation, the Christmas story is not a far-off super-spiritual event, but something immediate, physical and real, that happens even now. I particularly love that Mary is enormously pregnant, pendulous breasts and all, and not a skinny medieval nymph.



Finally, what would an Australian Christmas be without a reading of Wombat Divine? Wombat desperately wants to be in the Christmas play, but he is too short, too clumsy, and too heavy for any of the parts. At last, Emu finds him the perfect role and Wombat is, quite simply, divine.

As are all these stories. Read, prepare, enjoy.

The Zoo in You

 

Years ago, I decided to pay attention to God’s feathered friends as one metaphor for God’s presence, and in doing so, I have discovered this: that the Holy Spirit is heard in the kookaburra, who laughs at our pretensions and wrestles with the snake;... she’s found in the white-faced heron on our neighbour’s roof; she’s recalled by little finches at my grandfather’s funeral. When I'm soulsick and sinking, she calls out my name; of Cornish ancestry, I hear her in the language of my heart, which leaps at the crying of the gulls.

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Yep, another piece is being published, this time in The Zoo in You, a book exploring the animal imagery of faith. If you can cope with a bit of God in your reading, you should love this book. Each reflection is grouped with a prayer and a poem by Cameron Semmens, and is illustrated by Hamish McWilliam. My reflection can be found in Hope with a Cockatiel.

The Zoo in You is now available for pre-order for $19.95 plus postage here. Orders will be shipped from 2 December, and should arrive in good time for Christmas.

If the God stuff's not your thing, no matter – just wait 'til the next book!

Once was a schoolgirl

Recently I visited my old primary school, a place of great pain. It was where I learned to sit down and shut up; where I was bullied by a teacher or two; where I was routinely humiliated in front of the other students. It's a place I still can't talk about without my voice growing strident; I was so scared and lonely there.

For months I have thought to visit and lay a few demons to rest; and one funny Saturday, it felt like time. So we trekked out to the eastern suburbs; my lovely family dropped me off and waved goodbye; and I walked the old path to school. The gates were open, and I ducked in and discovered what a little place it is.

The looming platform where the vice principal used to lecture us has shrunk to the size of a few steps, just enough room for a portly gentleman with a red face to stand as he bawled out several hundred kids. The great banks of the oval, strictly out of bounds and where I used to hide with a book, are barely big enough for a child to stretch out and be invisible from the main schoolyard. The assembly point where I was spontaneously pulled out of line and marched down the hall to a younger grade for the year, thereby losing all my friends and the chance to learn anything, has been subsumed into a new building. The classroom of my most vindictive teacher was shut up, of course; but even from the outside it was clear just how insignificant it was; it even looked cheerful.

Hard to imagine, really. That teacher loathed me, and no day was complete until she made me cry. I used to wake at dawn, sick to my stomach, and sobbed every morning before I left home. That year I broke my writing arm in the first week of third term and so for the thirteen weeks I wore a plaster cast, I was detained at recess and lunch to rule lines on scrap paper; she wouldn't let me write messily in my books. Every piece of work I carefully scratched out was returned with a rebuke; my left handed writing was unacceptable. Most wonderfully, later that same year I caught mumps then measles, and spent the entire fourth term deliriously feverish, and safe at home in bed.

In the centre of the school between two lines of classrooms stands an old eucalypt. When I was a student, lorikeets nested in its hollow and we were forbidden from going near it. Thirty years later it's still there. As I looked at it, remembering, a sudden movement caught my eye. Jutting out of the tree at hip height was a rainbow lorikeet, the great great grandson perhaps of the birds I had known, lurid green and blue and red and yellow, one beady eye fixed on me. I stood still. The bird flicked its head this way and that, assessing the risk; then shot out of the tree like a bullet. I walked over quietly and peeked into the hole; I caught the flash of a bright red beak as a nesting lorikeet turned to look at me. Our eyes met; then it ducked out of view and I let it be.

I walked around the grounds and remembered the humiliations, once so enormous; I recalled the loneliness, and the pain. The school is on a rise, and catches the wind. As I peered into windows and checked out the shelter sheds, the cars on the main road bounding the school roared past. I realised that it has always felt like a school on a cliff. The traffic sounds like the incoming tide, and over the top sings the wind. On this particular Saturday, a gale from the south and the noise of the cars rose up and swept through the school and me, scouring away hurt and leaving a quiet woman washed up on a peeling old bench, a few toy buildings dotted around, and winged rainbows darting overhead.

Once a place to constrict my heart with fear, it is finally becoming ancient history: a setting for stories, nothing more. What happened, happened; what remains are just memories; and time, the great healer, has done its work again.

Visitation

Yesterday. The tenth anniversary of my mother's death. The first day of my period. Yet another rainy day. All I wanted was to curl up under my favourite bedspread, hand printed with blue stripes and swooping cranes, and gaze out at the falling rain; to roll over and watch the faint shadow of wattle branches dance against the wall. I'd be my very own Japanese painting, beautiful and sad.

Instead, I loaded the washing machine and changed dirty nappies and ran around with the vacuum cleaner and hung out towels and listened to incessant chatter and picked up toys and wiped the bathroom bench and took phone calls and pegged more washing and tidied the kitchen and collected my kinder kid and made lunch and watched crumbs fall onto the clean floor. My two-year-old slept in the pram on the way home from kinder; my four-year-old would not rest; and I had no time to myself all day.

And just when I thought I couldn't stand it anymore, those endless mundane jobs constantly interrupted by the demands of small children; just when I thought I couldn't bear to read one more story or nurse one more bump or wipe one more grubby face, my four-year-old shouted at me to come and look. 'In a minute,' I said, but she shouted 'NO! Right NOW!'. The urgency in her voice made me rush over to the window; and there I saw a white-faced heron standing on our neighbour's roof. It was staring at us, perhaps trying to discern our shapes distorted behind the glass. We stared right back, quiet and still.

After a minute, or maybe three, it turned its head and picked its way delicately along the roof line, then swooped away with a great heavy shake of its wings, spindly legs dangling.

And the phone rang and my toddler fell down and Grandpa arrived home with my schoolgirl and the oven timer beeped and the girls began to squabble and I became stroppy. Then I remembered our visitor, and the way my mother had always carried a notebook with her to write down the birds she had seen. With a surge of gratitude I felt the house come alive, electric with people like a pond charged with darting fish; and I, standing in the chaos like a gawky old heron, watched on in fascination, and love.

Love letters

 

I changed the linen. Wanton leaves had insinuated themselves into the clean sheets. They fell out onto the beds, and tickled my hands as I collected them.

The scent of violets wafts through the air, seducing me into the garden.

Buds are forming on the almond tree. On this cold gray day, one burst into flower.

A cheeky pink salvia peeps around the house. She winks and smiles as I walk down the side.

I was pinned to a path, tantalised. Breathing heavily, I turned my head, looked down: daphne.

What are these but love letters? Written by the earth, mailed by the wind, seized from the air by me and opened. Ravishing, sensual, I hold them close to my heart. My day is pierced with delight.

Throwing rocks at rainbows

I've been throwing rocks at rainbows lately. Well, small pebbles actually, and aiming to miss. Our almond tree is just outside the study door, and the rainbow lorikeets which ravage our pear tree every year recently decided to balance out their diet with almonds. So every half hour I run out and chuck a few pebbles into the tree, which encourages them to hop over to the native fig until I go back inside.

It's ridiculous. I live in an inner suburb and am surrounded by concrete. We have no nature strips; our footpaths are bitumen just like the road. And here am I asking beauty to move right along.

I don't mind birds eating the pears. In fact, I'm prepared to sacrifice any number of pears to the sight of a dozen lorikeets hanging there, flashing blue and red and yellow. I'm thrilled to watch the parents feeding the juveniles, and the teenagers mucking about - in the pear tree. But the almond tree is special. It's my tree of hope. It flowers in the depths of winter, at a time when I can't bear the grey days any longer. The flowers are impossibly delicate against a slate sky, and remind me that spring is coming.

And the almonds go in our breakfast cereal mix, providing a daily reminder of God's abundance. Every now and then I have a moment of awe, and extreme gratification, when I remember that I am eating something that grew, with so little care, in our garden. It's my intimate connection to the world of fertility and growth, so easily ignored in a concrete jungle. I need this sign of hope.

So until I pick the almonds, I'll be throwing rocks at rainbows, irritated by the parrots and by how much I care. And I'll be thinking about what else I could grow, and where I could fit it, so that I have more opportunities to harvest goodness from the soil. And maybe next year, I'll invest in some bird netting.